Things (1989) started percolating on my horizons in a number of different contexts. Independently produced horror has a wonderful tradition, and Things pays tribute to films such as George A. Romero’s classic Night of the Living Dead (1968) and Sam Raimi’s Evil Dead (1981), other almost DIY productions that became cinema legends. Released as part of the great “direct to video” deluge of the late 1980’s-early 1990’s, made obscure by its independent nature, I’d not heard of it until seeing it culled in lists on the subject. But also, it finds its way to me via another list that has tantalized and entertained, Wikipedia’s List of “Films considered the worst”.
It’s obscurity and unavailability was suddenly evaporated by Fandor, who just added it to their wonderful cult film section along with a couple other formerly “video only” flicks. Hooray and kudos to Fandor, you made my day!
Nothing could really prepare one for Things. It transcends the “so bad it’s good” level of badness and moves into a realm of outsider art and surrealism in its mixture of naivité and outre weirdness. It’s so far out that it’s utterly and completely brilliant.
It’s not unlike watching a film by Mark Borchardt and Mike Schank, the subjects of Chris Smith’s hilarious documentary of would-be filmmakers, American Movie (1999). Only this is a decade earlier and in this case: Canadian (not that Wisconsin is all that far away in both physical space and cultural mores.)
Frankly, I don’t feel that I could take this all in in a single viewing. It’s so amazing and “out there”. I have a hard time assigning a “star ranking” to the film because it’s either 1 star or maybe it’s 5 stars. Maybe it’s both. I need to watch this again.