director Riccardo Freda
I’ve already noted the Giallo bent of some of these 1960’s Italian Barbara Steele horror vehicles, flitting between the inexplicable and the evil’s more man-made. I’ve also noted the Hitchcockian qualities therein, especially on the more human-wrought horrors. Director Riccardo Freda apparently like to pay his homage quite clearly. The characters of The Ghost, like his earlier Steele picture The Horrible Dr. Hichcock (1962) are homonyms of the “master of suspense.”
Interestingly, per Wikipedia, The Ghost channels a different suspense master, Henri-Georges Clouzot’s Les Diaboliques (1955). I guess that is a semi-spoiler if you’re waiting to find out whether or not the doings are spiritual or more of this earthly plane.
The story has a somewhat convoluted scenario with an ailing Dr. Hichcock, swinging between suicide and a will to live, while rescued and followed by attempted murder by his wife (Steele) and his physician.
Maybe the least interesting of my Barbara Steele mini-marathon, though fitting so well within this continuum, wives and husbands and murder and ghosts, and that damn solarium, I don’t know what else to say.