director Takashi Miike
It’s gotta be said, Takashi Miike is outré there. Or at least he was at one point, for quite a while.
The iconolclasts of contemporary cinema are rather few and far between. Or otherwise maybe too obscure?
Gozu comes from Miike’s ripest period and seems to rank for many among his best movies. And that seems a fair assessment.
Absurd and comic, Gozu is the spiritual journey of a young yakuza flunky, Minami (Hideki Sone), and his crazy (really, really crazy) boss and best friend, Ozaki (Show Aikawa), who winds up dead and then disappears. Minami finds himself adrift in a very David Lynchian world, trying to figure out where his “brother” got off to. The journey is a prolonged and surreal, punctuated with strange and awkward humor.
If you think you know where this film is going,…well, let’s just say that the last half hour features twists that aren’t just unforeseen but gruesome and vivid.
Of all of Miike’s films I’ve seen, Gozu feels the most Lynchian. I’m not sure I’ve thought of David Lynch in his other works, but this one takes that vibe, runs with it, and then smacks down with some of Miike’s most intense stuff.