director Denis Villeneuve
viewed: 10/09/2017 at AMC Metreon 16, SF, CA
As we have come to learn, you need to be careful what you wish for.
Unlike the others, commercial success has not overwhelmed Blade Runner 2049 yet. So we may not be awash in the franchise-ization of the beloved 1982 film. Which may well turn out to be a good thing.
First and foremost, it’s overlong, by a long shot. Its 163 minutes move slowly, steadily, intentionally. But in the end, it drags, perhaps where it most certainly shouldn’t.
Yes, it’s gorgeous. Villeneuve and Roger Deakins along with some very pretty production design absolutely craft a film worth looking at.
But what’s with all the giant naked ladies in advertising and ruined statuary? Issues of the film’s representations of women aside, I’ve cultivated a theory. When watching Alien Covenant earlier this year I began to wonder if Ridley Scott’s Alien movies and his Blade Runner movies were meant to exist in the same universe and timeline. And whether or not that is true, the statuary of Prometheus (2012) featured giant sized men. Is this somehow a feminine counterpart? Sure, this is Villeneuve’s film, but Scott is still executive producer.
I watched this with my son, who managed to sleep through the original when I showed it to him. So, he was a little confused about the story, but he wound up really liking the movie.
Still several days out I’ve not really come to a full conclusion. It’s a gorgeous spectacle, though a slow-moving performance. Still contemplating its meanings and ideas.