director Yorgos Lanthimos
viewed: 11/04/2017 at the Alamo Drafthouse – New Mission, SF, CA
A slow-burn blackly comic, surrealistic thriller. With the heaviest emphasis on “slow-burn”.
Yorgos Lanthimos’s second feature in English, The Killing of a Sacred Deer is on a continuum of his other awkward worlds, ruled by random logic, in which human connection is ultimately impossible.
Like his breakout film Dogtooth (2009), The Killing of a Sacred Deer is the study of a family and its patriarch. Though Colin Farrell’s heart surgeon here isn’t so much controlling the world of his nuclear clan but rather trying to somehow protect it from an ill that he has brought upon it.
The whole thing uncoils very slowly, impregnating the strangeness of the world and the characters with a sense not just of discomfort but of dread. Something is behind Farrell’s unusual relationship with sleepy-eyed teenager Martin (Barry Keoghan). His illegitimate son? His teenage lover?
Of course, it’s not anything remotely so straight-forward. When Farrell’s son and daughter fall ill with paralysis, lack of appetite, and eventually bleeding eyes, it takes the surgeon a long time to figure out that there isn’t anything medical but what? supernatural? uncontrollable?
Lanthimos continues to be one of the most interesting directors to me. Always a lot to ruminate on afterwards.