director Aleksandr Ptushko
Aleksandr Ptushko’s Sadko, a.k.a. the Americanized The Magic Voyage of Sinbad, is the Russian fantasy film gone all Cecil B DeMille. Featuring a huge cast, lush costumes and sets, its production values seem miles higher than some other films of the period and genre. It won the Silver Lion for Best Director at the Venice International Film Festival, so maybe the financing aspired for more.
It rings with song, specifically the music of the Rimsky-Korsakov opera that the story works around. Sadko (Sergei Stolyarov) is the gusli-stroking baritone who returns to Novgorod to find rich merchants hording all the goods and deep levels of poverty. He also encounters a Princess from the sea who falls in love with him and helps him catch some golden fish.
Once he’s trounced the merchants and distributed all the goods, he still finds that poverty abounds, so he sets out on another quest, to capture the bird of happiness, which takes him from northern shores held by villainous Vikings to India, a land of wealth and sneaky duplicitous cheats.
Pthushko is known for his visual effects and there are some gorgeous ones on display. Even rising from the ocean looks extra-special. But the best effect is the phoenix herself, the bird of paradise who is much more like a Siren or a harpy or something.
Sadly the fantasy elements aren’t as prevalent in the running time as would make this film much more than it is. But it is stunning. I even liked the undersea world that others tend to scoff at. Very much in the spirit (if also utterly Russian) of Raoul Walsh’s The Thief of Bagdad (1924).