director Conan LeCilaire
In the 1980’s, having seen Faces of Death was de rigeur for any horror fan. It was one of the most outré things on most family video store movie racks. As far as Exploitation goes, it might have been the video era’s greatest success.
The bait-and-switch of veritable horrors with hammy fakes fit is well within the carny sideshow tease and titillate. The reality, though, was always cheapened by the fake. And it still is. The voice over doesn’t help though it’s strangely politically progressive.
But these days much worse is readily available on the internet. So, out of the context of its reputation and the scrutiny of fake to realism, where does Faces of Death stand now?
It’s definitely in the Mondo mold, and I imagine that is the best way to categorize it today. It shares with Mondo the faux documentary style, the all-knowing narrator moralizing the stuff, the mixture of real life violence and staged material, especially the use of gruesome animal sequences that set the table and tone for verity and horror.
I d say that it’s flaws start with its structure, a seeming randomness that fails to sense its own strengths and weaknesses. It ends up meandering and working through no pattern of development. Interestingly, the music seems an ironic commentary throughout. Which might help to explain the mind-boggling credit sequence and song.
I appreciate Exploitation movies, though I doubt I need to re-watch this again ever. It’s still eerie and gross.