director Shunya Itō
Female Convict Scorpion: Jailhouse 41, the second in the original Scorpion film series, finds Nami bound in a dark cell whittling a metal spoon into a shiv with her teeth. From the opening shots, diving down into the depths at where she lies, Shunya Itō strikes a tone of the horror film, a precursor of what is to come.
Jailhouse 41 breaks into a quickly quashed riot and then Nami and six other prisoners are sent to hard labor outside of the prison. Itō strikes Nami in a somewhat Christ pose, pinioned to a cross, before being raped for humiliation by the ruthless guards at the warden’s order.
Itō takes the film beyond his Bava-esque lighting and manic camera and into more full-on pulp avant-garde. The women escape to an abandoned village where they encounter a ghost-like witch woman, expound upon their crimes, break into Kabuki-like sequences and some seriously far-out set-pieces, ringing throughout of horror and the supernatural.
The women are constantly pursued but eventually hijack a bus of tourists, running ruthlessly riot through the countryside.
This film series, with Itō running things, is just amazing and fascinating. Nami’s world is only fit for a scorpion. The police are corrupt, the wardens and guards are vile, the prisoners themselves rotten and selfish monsters, and even the average tourists are rapists and brutal ex-war criminals. Kayoko Shiraishi is Oba, the most vicious of the prisoners, who prides herself in having murdered her children, ripping one from her womb.
Jailhouse 41 is certainly most radical of the series, fully surreal, theatrical, non-traditional and wildly fun.