Yasuharu Hasebe picks up the reins where Shunya Itō left off, directing the fourth and final feature of the Meiko Kaji “Scorpion” films. Female Prisoner Scorpion: 701’s Grudge Song is nowhere as good or satisfying. It’s much more conventional than any of Itō’s films.
Kaji escapes the cops and is found hiding out in a strip club lavatory by Teruo Kudo (Masakazu Tamura), a semi-emasculated former student protester. Is this the first time Nami (Kaji) has needed anyone’s help?
Nami inspires Kudo to help her, though the cops focus in on him as her accomplice. He takes the beatings with masochistic fatalism, but vows revenge. Unfortunately for Nami, and for us, it’s amateur hour for with Kudo. Despite not giving her up to the cops, he leads them back to her hideout and then plans a failed robbery.
Does Nami really like him? She has sex that isn’t rape for once but also doesn’t seem entirely consensual or pleasurable. At the end, she tells him that it was another person that loved him, not her. An insight that isn’t very satisfying.
The Shunya Itō/Meiko Kaji films are amazing. At first I was thinking “Wow, she’s also Lady Snowblood!, these films must have been influenced by those.” Only if so, it would have been the other way around. I also didn’t realize until viewing these that she was also the star of the Stray Cat Rock series, which I’ll have to delve into more deeply. And then at the very end of the whole thing, I finally realized that it’s also Kaji singing the iconic theme song “Urami Bushi”.
I catch up eventually.