director Andy Milligan
I don’t know what it is about Andy Milligan films, but it seems like the more of them that I watch, the better I like them. This is my 8th Milligan in a little over a year. My trajectory has run: The Body Beneath (1970), Fleshpot on 42nd Street (1973), Guru, the Mad Monk (1970), Carnage (1984), Bloodthirsty Butchers (1970), The Man with Two Heads (1972), and most recently, The Rats Are Coming! The Werewolves Are Here! (1972).
And Blood may be my favorite so far? Toppling The Rats Are Coming! The Werewolves Are Here! which had just taken the top spot. Are they getting better or am I becoming more attuned to Andy Milligan?
Hope Stansbury (from Rats/Werewolves) is here, as a perpetually discontented vampiress, being kept alive by the ministrations of her husband, Orlavsky (Alan Berendt), and his assistants, Carrie (Patricia Gaul), the legless Orlando (Michael Fischetti), the simpleminded Carlotta (Pichulina Hempi).
Everything was going great until…Ha, ha, it was never going great for this clan, returning to America from Europe to settle up with an exploitative accountant and reclaim Orlavsky’s family home. Orlavsky imprudently falls for Prudence (Pamela Adams), who unwittingly falls in with this crowd.
This crowd is a vampire, a werewolf, and some man-eating plants. I guess producer Walter Kent (who appears as “Man in office”) hadn’t quite the flair for titling that William Mishkin did, or this might have been called “The Vampires Are Here! The Werewolves, Too! And Man-Eating Plants! Frankenstien Is Coming!” Because, yes, at the end, as a joke, Dr. Frankenstein takes over the premises when all is said and done.
All this, in less than an hour. And of all his Milligan’s movies, which he shot himself, I loved the aesthetic achieved, even shooting the bulk of the film in his house and property.