director Ferdinando Baldi
Texas, Adios isn’t necessarily a vital Spaghetti Western. It’s an adequate one.
It does have prime age Franco Nero going for it. But this is no Django.
It does, as others have noted, feel at times more Hollywood than other Italian Westerns. But it shifts around in vibe, at times more typical of its Spaghetti brethren. But that shifting also denudes it of feeling particularly compelling as well.
I don’t know what else to say.