director Bernard Launois
For those who traffic in the weird and odd, obscure and awful, bizarre and sublime of dreck cinema, Devil Story is a dream come true. Or at least a dream somehow assembled into movie form.
It is indeed as if a Jean Rollin movie crash landed and all the mangled elements that survived somehow reconstituted itself in the least coherent manner.
I say this lovingly.
It can be described. As it has by many and well so. But it must be experienced to be comprehended, if comprehension is even possible.
It’s the most disorienting movie I’ve ever seen. Which way did that horse go? Bang! And bang again.
Highly recommended to weird lovers everywhere.
director Manuel Caño
“In infinite time, what happens happens.”
Just last week, I watched American Mummy (2014) which was a bit of a misnomer since there was no re-animated mummy in it. And now Voodoo Black Exorcist, which despite its title, is actually a mummy movie! Go figure. Marketing moves in mysterious ways.
Voodoo Black Exorcist is indeed stupefying, as the poster suggests, though terrifying, not so much. It’s a Spanish production that starts out with some seriously chocolaty black-face before we get our Caribbean mummy story. Why is it every mummy story hews to the trope of awakening and looking for a doppelganger or reborn version of a lost love? Don’t mummies have other motivations?
The camerawork is kinda bizarro, in a good way, but this is cheap, bad cinema, which you have to like in order to appreciate. It’s terrible but terribly fun too if you like trash like I do.
Some of the action takes place in some really cool caves.
And the quote that kept resounding: “The best hamburgers in the world.”