director Bryan Singer
viewed: 06/04/2016 at CineArts @ the Empire Theater, SF, CA
The X-Men movies keep surprising me. Rising from the ashes of The Last Stand (2006), the re-booted franchise that kicked off with Matthew Vaughn’s X-Men: First Class (2011) and renewed yet again by Bryan Singer’s surprising return to the franchise that he first brought to the screen in 2000, in X-Men: Days of Future Past (2014), this (currently) 2nd trilogy has managed despite odds and levels of narrative complexity, turned out some really decent movies.
Not great movies, mind you, but good movies. Entertainment.
This series took on the added challenge of a reworked timeline, setting the films in the past: First Class in the 1960’s, Days of Future Past in the 1970’s (as well as in the present?), and now Apocaplypse in 1983. Frankly, even trying to get my head around the whole timeline thing is more than I care to strain for myself.
But I think I know why this works, at least to some extent. The X-Men were always a more interesting crew than Marvel stablemates, The Avengers. The Avengers were always sort of Marvel’s mainstream, while the X-men were sort of their “alternative culture”. And ultimately are a more interesting gang of characters.
It’s 144 minutes of mind and butt-numbing action, so incredibly much packed in to this sprawling cataclysmic story. An almost all-powerful villain Apocalypse (a heavily CGI & make-up-buried Oscar Isaac) rises from nearly 6,000 years of slumber to re-boot the Earth. It takes all of the X-men to come together to take him and his associates down.
I often think that one shortcoming of the modern superhero story is that every villain is an existential one, every one is bringing an apocalypse to Earth (or even the universe) and the heroes have to “save the world”. Old school comics had heroes and villains on smaller scale stories that were still compelling.
This story isn’t quite so complicated unless you’re trying to tie it into the prior movie’s narrative (which was complicated and is essentially extended here with the action taking place a decade later — almost 20 years since First Class).
For its broad spectrum of response (seriously “mixed” reviews), Apocalypse hardly seemed like a sure thing. When I told my superhero-loving 12 year old daughter we were going to it, she said, “Yusss!” And when I found myself walking out of the movie thinking, “Gee, I really kind of liked that…” I started realizing that despite the fact that I stopped reading superhero comics around 1983, that I guess the X-men were the ones I liked, far more than a lot of the others.
Lastly, quite as in Days of Future Past, the film’s singular best sequence features Evan Peters as Quicksilver, saving the day in a prolonged time-stretched action scene, here saving the whole Xavier school’s populace from an explosion. Talk about a character crying out for his own movie. It’s kind of clear that Singer has made the case for him, perhaps made the case that Singer should make it himself.