director Amos Sefer
My ongoing journey through cinema has many roads, pathways, asides, spur of the moment outings, trajectories and landing spaces. One particular trajectory that I’ve been following for about a year now has been a sojourn through the worst movies ever made. I’ve used two primary lists as the guideposts, the original 1978 book The 50 Worst Films Ever Made by Michael and Harry Medved with Randy Dreyfuss, which was one of the first attempts at such a listing (though it’s amazingly inconsistent.) But also, a more active and contemporary list, Wikipedia’s List of films considered to be the worst, which is a bit better, though there is such a heavy focus on films of the last 20 years that it does lack some perspective.
An American Hippie in Israel, had Medved and co. known of it in 1978 might well have been up for consideration, but it seems that this film languished in some obscurity until the internet came along and offered places for such cinematic turds to shine.
If it wasn’t for TCM Underground offering this one up, I’m not sure that I would have gotten around to trying to land it. Considered the worst Israeli film ever made, it’s a wayward semi-political parable about hippie culture, imported from the States, though carrying with it an ideology that many of the flower children and others of that generation related with considerably. Peace, love, sex, and drugs, man. Vietnam is a bummer, War is a bummer, government is a bummer. It’s freedom, man, freedom, that’s what we need.
Oddly the barefoot American traveler of the title hooks up with a rich gal and they screw and get real with one another, trek around and find other people who share their hippie vision. Only the hippie, Mike (Asher Tzarfati) is hunted by two pale, gun-toting weirdos in oddly non-sequitur murder attempts that are apparently metaphorical as well as making no sense.
But in the film’s ultimate moments of truth, it turns out that all these visions of peace and paradise are a sham. Once isolated by sharks on a small desolate island, Mike and hist girl and another couple devolve into warfare and chaos.
The beginning of the film is weird and slow but it builds up in the last third to some moments of utter hilarity. I laughed out loud at the bizarre conversation between Mike and Komo (Komo, who doesn’t speak English, Mike who doesn’t speak Hebrew). It’s very funny. The sharks are also pretty hilarious.
It struck me as funny, too, that at a time when so many more successful counter-culture films were made (late 1960’s – early 1970’s), how tone-deaf and misguided this comic caper really is.
Definitely enjoyably bad.