director Richard Quine
A cool, comic analog to Alfred Hitchcock’s Vertigo, Bell, Book and Candle is a another darkened romance starring Jimmy Stewart and Kim Novak from the very same year. It’s also a story of obsession and possession, of love’s darker recesses.
In some ways, the shoe is on the other foot, with Novak the enchantress and Stewart the possessed. In other lights, perhaps it’s just as bleak for Novak, though it ends with a more traditional “happy” ending if you don’t read between the lines.
As a comedy, maybe it’s not quite hilarious, though it’s urbane. And maybe its darker soul keeps it from being quite the lark it aspires to.
The cast is sublime, featuring the adorable Elsa Lancaster, Hermione Gingold, Jack Lemmon and Ernie Kovacs. And Pyewacket the cat, “as himself”, though possibly played by up to 12 different felines. And lets not forget The Zodiac Club, a beatnik-witching haven.
Bell, Book and Candle is said to have inspired TV’s Bewitched, which makes sense. It is, after all, the story of a lovely young witch who pines for something more than her magical life. The built-in metaphor of the female having to sublimate all of her inherent skills and character, wit, and abilities in order to succeed in human society is both a critique of patriarchy as well as ceding to patriarchy (for the happy ending).
It’s probably not quite as magical a film as it strives to be, but it’s totally enjoyable, charming, and packed with texts and subtexts, as well as cool character. I did find myself thinking that Billy Wilder could have probably elevated this further, but it’s perfectly fun on its own.
My 13 year old daughter was nonplussed, however.